主演：汤姆·塞兹摩尔
导演：吉恩·怀尔德
类型：古装,动作,言情 地区：日本 年份：2015
简介：武士朱元傑武功冠群, 俠士們皆不是他的對手. 某日武士吳(wú )劍虹找(zhǎo )其挑戰, 差點死於其刀下, 幸得吳之妻陸氏含淚哀求, 朱放吳一馬, 吳卻無法接受他的慈悲(🐓)而當(dāng )場刎頸(jǐng )自盡, 朱自此看破虛名立誓折劍.1830年，小(xiǎo )提琴演奏家花花公子尼科洛帕格尼尼（大卫·加勒特）是在(⛱)他职业生涯的(de )巅(diān )峰，在整个欧洲的赞誉(yù )。他独自顾名思义无数的事务和丑闻-这正是(🚱)(shì )他的经理人(rén )乌尔巴尼（贾里(🐰)德哈里斯）做他的全力培养。因为这是他的兴趣向市场推出其著名的客(🤦)户的最好的方式，只有伦敦市民尚未被征服。在一个以吸引帕格(🤾)尼尼到伦敦(dūn )为他(🐃)的英国首演计划中(🛺)，英国经纪人约翰·沃森（基督教麦凯(♊)）和(✂)(hé )他的情妇(🎾)伊(⛩)丽莎白·韦尔斯（维罗尼卡(kǎ )Ferres）顶着所有风险请(qǐng )帕格尼尼到英(yīng )国演出。业务娴熟的乌尔巴尼最终设(shè )法把(bǎ )帕格(🔺)尼尼(ní )到英国首都。由于混乱。帕格尼尼他们被迫投靠在沃森的家，在那里帕格尼尼迅速采取喜欢上主人的...那他如(rú(♈) )果拿分(⛔)手做威胁呢？千星说(🔅)，那你也要做吗？王连海，1933年出生，宁夏银川(🔕)人。早年就读(🎻)于银(yín )川贺兰中学，1949年10月参军，入63军文工团(🌘)任演员。1951年赴朝，前线(xiàn )表演过一些歌舞剧，1953年回国。期间，参演过《水》孙吉(🚒)甫、《渡(📇)江探险》刘长根、《激战前夜》周小虎等(🎰)影片。1958年文工(💺)团解散，入八一厂任演(yǎn )员。他(🤲)在八一厂约7年时间(👏)，文革前夕(xī )就(jiù )不(🏔)见银幕踪影了(🏖)。扮演的多为战士之类小角色，演过10多部影片，如《带兵的人》马金堂、《哥俩好》八班长、《红鹰展翅》学员、《金铃传》警察、《烈火真(😥)金》血(xuè )库主(zhǔ )任、《林海雪原》李...CBS续订《海(hǎi )军罪(zuì )案(à(✅)n )调查处》第二十二(èr )季(🏻)。西红柿与美(měi )国人的战争她是准备今天收工后再给傅(🕑)瑾南打(dǎ )电话解释一下(xià )这件事(shì )，可(kě )没想到对方竟然摇身一变，成了这部电影的男二，然后光明正大地(🕤)把(🏧)她堵在了墙角。也不知(🤳)道？韩雪是太困了，还是太累了，或者是因为这句话。Directed by reliable journeyman Umberto Lenzi and starring Roger Browne (who began his career in peplum films, but always seemed better-suited to and more comfortable in spy-espionage films), LAST MAN TO KILL has everything the fan of Euro-spy films could want. A witty, sly hero (Browne is excellent here); interesting mid-east location shooting; a plot that is both simple and convoluted at the same time; cheesy lounge-spy music (with an organ that sounds like it was borrowed from Joe Meek's studio!); low-budget props and sets; chases and fights; and even the occasional zoom photography. The dubbed sound effects are outrageous, and in some of the action scenes sound like they could have come from a 1970's Hong Kong martial arts film. This only adds to the fun and excitement of the film! Not much to analyze here--if you are a fan of dubbed Euro-spy action, you'll want to see this one. And Lenzi's fans won't be let down either. My copy is from a pan-and-scan, English-dubbed copy taped off UHF television in the 1980s--unfortunately, the days when we could rely on this kind of entertainment being available regularly and for free are long gone. Roger Browne is also put to good use in the films RIFIFI IN AMSTERDAM and PASSWORD:KILL AGENT GORDON, crime-spy films from the same era. Of course, director Umberto Lenzi made dozens of excellent films in any number of genres--as late as the 90s he was still churning out wonderful low-budget action films such as MEAN TRICKS (see my review) starring Charles Napier.