主演：安东尼奥·加德斯
导演：塞巴斯蒂安·劳德巴克
类型：悬疑,恐怖,动作 地区：美国 年份：2020
简介：Saheb, his wife, and a gangster who returns to take revenge......Richard Sarafian is a decidedly underrated director. After finally seeing this, it's satisfying to report his VANISHING POINT was not a flash-in-the-pan. FRAGMENT...does not move at the same pace, nor does it get the viewer involved quite as quickly, but once you're about twenty minutes in, you're hooked until the end as Sarafian and screenwriter Dehn continually manipulate reality and our perceptions of it, along with lead character David Hemmings' perceptions of it. Really brilliant in the way it portrays a matter-of-fact unfolding of events that seem like a conventional, yet still insidious conspired-murder-by-blackmail-ring plot. But then we're constantly shown by the dialogue and actions of other characters that these events we've just witnessed may never have occurred. As an audience, we're constantly being shifted back and forth, momentarily convinced that recovering-addict-turned-successful-writer Hemmings is undergoing paranoid delusions, then the next moment convinced there really is a vast conspiracy against him and his investigation into his rich aunt's death. Disturbing and constantly involving, sucking the viewer in until the shocking conclusion. Unfortunately, the film's one real liability, which may in fact be the reason for some viewers' antipathy toward this film, is its totally inappropriate music score. Not only is the score mixed too loud on the soundtrack, it repeatedly draws attention to itself, often diffusing the effects Sarafian is trying to achieve. If only they had gotten someone like John Dankworth who could have composed a similar jazzy score but much more subtly and in keeping with the film's rhythms. Of course, even better would have been Ennio Morricone, someone who had already scored many Italian giallo thrillers that had attempted to play with reality in a similar way. Whomever hired Johnny Harris made a big mistake. His score is the one thing that keeps this from being a genuine little masterpiece.毕竟他到底(⤵)是在外面养了女人，看到(dào )陶氏的时候自然就觉(👪)得亏心。她嘴角勾(➕)起一抹冷笑(xiào )，伸出右腿狠狠的(de )踹(🆒)在了丧尸(🏞)的屁股上，只见丧尸向(xiàng )前飞了过去。A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.只见它转过头，满脸都是(shì )鲜血，向着众人的(🥀)方向嘶吼了一声，随后转过去，趴在地上(shàng )，咬住刚刚那男人的脖子，低头(🦇)猛吃起来。虽然吧，她觉得秦昊确实该打(🗂)，但也不能给人乱(luàn )扣帽(🗣)子。如果(🍑)不是游戏的话，倒像(xiàng )是(shì )一对骑车旅行的恋人(⚫)。女人左看看又看看，最后只能抓住蒋少勋的手：军人同志，你是她的长官吧，你看(kàn )看她这态度，你们一定要给我好好惩罚她呀。