主演：陈强 弗兰卡·马尔齐 理查德·格雷弗斯 小泽昭一 詹妮·麦珊恩 劳伦斯·普莱斯曼
导演：陈庆达
类型：动作,谍战,科幻 地区：泰国 年份：2013
简介：时光流转，当年的少男少女们长大成人，在爱情的护佑下朝着各自的理想而努(nǔ )力。浅(🔂)仓(cāng )南（日高のり子 配音）毅然放(fàng )弃已取得(📋)(dé )无数辉煌和成就(👊)的艺术体(tǐ )操，转而追随摄影师藤村刚(🈯)但当一(yī(🕞) )名摄影助(zhù )理；上杉达也（三ツ矢雄二 配音）则受邀赴美(měi )，成为垫(🏥)底球队翡翠队的一名选手。在(👶)20世纪50年代，翡翠队曾经名噪一时，如今却成为人人得(dé(🎽) )而虐(🤕)之烂(làn )队(duì )。球队老板心怀理想，投入全部家产经(jīng )营球队。而达也等人(rén )的到来(🔈)也似乎(hū )为该队注入全新的活力。在这期间，老板的女儿艾(à(🍆)i )丽丝也开始对达也萌生好感……所(suǒ )以她们几个想要回到班级方队(🐸)，必须经过他面前(qián )。世(🌫)界首部(💩)OVA作为一个技(jì )术(👌)和游戏博(🥓)主，陈稳的粉丝们中，也潜藏着不(bú )少相关领域的高手(shǒu )，没一会儿，有(🎎)关luckychen和jacksu的爱恨情仇，就(jiù )被众人扒了个干净。游戏还在继续，旁边的小伙伴们依旧尖(jiān )叫声(🏃)不断, 有人注意到秦露露似乎情绪不对, 碰了碰她的胳膊：嗳, 露露, 你怎么(🛤)了？张秀娥对于聂远乔这热心过度的行为现在已经有几分麻木了。欧战尾声(shēng )，盟军上下逐渐弥漫(màn )着乐观(guān )的情绪。为了提前结(🧢)束战争，各地盟军将领认为只要一番猛攻(❓)，便可提早直(🚽)捣柏林结束战争。于是轻率(lǜ )地将大批伞兵空投在德军营地背后，去(qù(🤕) )攻占阿纳姆的那座横跨莱茵河的(de )大桥。不料遭遇德军(jun1 )的顽强抵抗，盟军付出了伤亡惨重的代价。这场堪称二战中最具戏剧性的战(🚒)(zhàn )役(🚘)(yì )，终以盟军的惨痛失败而告终。Ivan Passer's "Law and Disorder" is a gentle, touching, sometimes disruptively funny movie about—among other things — ignorance, prejudice, rape, larceny, the failure of small dreams, about people trying desperately to cope and often coming apart. It stars Carroll O'Connor as a taxicab driver and Ernest Borgnine as an ex-Marine, who is a hairdresser with a passion for guns. They are the nucleus of a small group of outraged tenants of a housing project called Co-op Village, set on the Lower East Side of a New York City that bears some superficial resemblance to the setting of the inexecrable "Death Wish." "Law and Disorder," is the second American film by Mr. Passer (his first was "Born to Win") whose "Intimate Lighting" is regarded as one of the major achievements of the brief, mysterious renaissance of Czechoslovak films in the nineteen-sixties. Willie (Mr. O'Connor) and Cy (Mr. Borgnine) and their friends are threatened as much by the onset of barren middle age as they are by the collapse of civil order. Thus, when they form a police auxiliary unit to protect their neighborhood, they are as invigorated by the opportunity to wear uniforms as they are by the opportunity to bring peace to the community. Perhaps more so. The uniforms define purpose. They recall a more innocent time, say World War II, when there was never any question as to who was right and who was wrong. The ultimate failure of Willie, Cy and the others is less a comment on their inadequacies, often hilariously detailed, than on the overwhelming complexity of the urban problems they face. It's this awareness on the part of Mr. Passer, as well as on the part of William Richert and Kenneth Harris Fishman, who collaborated with the director on the script, that separates "Law and Disorder" from exploitation junk like "Death Wish." It also dictates the mood of a film that slides between farce and melodrama, between high good humor and enervating despair. Some of Mr. Passer's characters, like Willie, continue to try to improve things. Willie dreams of a new career. He wants to sell his taxi medallion and buy a lunch counter, much to his wife's horror. Says Willie in desperation: "I ain't a failure, Sally, I just ain't on time." Cy, the hairdresser, is a hunter. He keeps an entire stuffed deer in the bedroom and has a piranha fish in a tank in the living room. He doesn't hunt people, however, and he hasn't quite arrived at the point occupied by most of the other citizens of the city whose motto, repeatedly expressed, is an obscene two-word imperative.良妻と評判の千賀子(翔田千里(🙉))はある日、運転中(🖥)に事故を起こして(🏏)しまう。被害者は有名なバイオリニストの達也(森山翔吾)。もう二度とバイオリンを弾く事ができなくなった達也は、千賀子に身(🔱)の回りの世(✡)話を命令する。「小便するのを手伝え」「お前も(🌳)裸(❤)になって俺の体を洗え」「俺のを舐めろ」・・・次第に達也の要求(✉)がエスカレー(🌶)トしていき、やがて隠れていた千賀子の心(xīn )の中(zhōng )にあるマゾヒストの本性が明らかとなっ(🛬)ていく(🏀)・・・