主演：高志刚 李花诗 丹妮拉·科拉洛娃 Charles Regnier 阿尔韦托·莱基
导演：拉达·巴拉华
类型：谍战,动作,恐怖 地区：日本 年份：2016
简介：我太太是受害人。霍靳(🛣)(jìn )西缓缓开(😫)口(👶)道，这件事，我不打算接受任何解释(shì )。当过气的乡(xiāng )村音乐歌手Bo Price回到家(jiā )乡参加兄(xiōng )弟的葬礼时(shí )，重遇他中学时的女友(yǒu )Angela，他们都经历了自己的爱人在事故中离去的悲痛(tòng )，现在是时候忘掉过(🥐)去开(kāi )始新的生活了，于是这对旧时恋人又再次在一起。而随后Bo Price也第一次(cì )遇到他16岁的女儿，他一直不(bú )曾知道也不曾见过(guò )的女儿……她一面说着，一面(miàn )伸(🔰)出手来，轻轻从霍靳西怀中抱过了悦(yuè )悦。税务律师菲尔·福斯特（史蒂夫·卡瑞尔 Steve Carell 饰）(⏪)与房地产(👐)经纪人的妻子克莱尔·福斯特（蒂娜·费 Tina Fey 饰）是居住在(⛹)新泽西州的一对普通中年(nián )夫妇，育有两子，每日生活疲累而按部就班。受朋友(🌪)分居的影响，菲尔心血(💔)来(🔴)潮决定将(jiāng )每周末的晚(🏈)餐约(🔡)(yuē )会改到城里，去曼哈顿新开(😔)张的一(🎖)家海(hǎi )鲜餐厅就餐。没有预约的二人顶替了他人的位子，却没曾想吃到中途被两名(❤)陌生人(💫)挟持出餐厅，用枪威胁他们归还一个闪存。不明就里且吓(💌)得半死的福斯特夫妇想办法逃(🌗)脱，找到克莱尔过去一位名叫霍(🧞)尔布鲁克（马(mǎ )克·沃尔伯格 Mark Wahlberg 饰）的客户帮忙，却依然无法摆脱追杀。二人甚至还得假扮皮条客与舞女闯入黑(🌫)帮头子乔·莫雷托（雷·利奥塔 Ray Liotta 饰）的(🌀)脱衣舞厅周旋(xuán )，洋相百出。"Although hundreds of disturbing paranormal events occur every year, most of these chilling encounters go unreported - until now. Bear witness as hapless victims experience the unspeakable terror of confronting demonic forces, murderous poltergeists and other evil entities that are dead set on claiming their souls. Descend into an abyss of waking nightmares as these bloodthirsty, malevolent spirits seek to possess their prey and drag them-kicking and screaming-down to hell."在我国，有(yǒu )一项法律在欧洲仍(🤕)然有效而且是独一(🏮)无二的，它禁止在出生(shēng )时(🐶)不被承认的儿童知道其(🔼)亲生父母的身份，除非他们年满100岁。这部喜剧讲述了34岁的乔瓦尼和99岁的古斯塔沃相遇的故事，以及他们寻(xún )找起源的有趣旅程。In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."林(lín )夙看了一眼烧着的火(huǒ )，慕浅问：你东西都(🗿)烧(🏬)完了(le )吗？悦(yuè )颜眼睛里都是藏不(bú )住的(🌍)笑意，轻轻(qīng )点了(🌂)点头(🕸)。