导演：大卫·科尔
类型：动作,古装,谍战 地区：韩国 年份：2017
简介：Todd Jarvis is a troubled teen whose one escape is the exciting sport of paintball - and even that is threatened by rival players dead set on making him and his friends miserable. But when a paintball tournament is held in his town, Todd sees his big chance for redemption.备受梦(💭)魇折磨的年轻男子让·伯(💳)洛特（帕沃·里斯卡 Pavel Liska饰）反复做着同样(yàng )一个梦境：两个恶(è )魔闯进他的卧室，把他推进了疯人院。心力憔悴的伯(bó )洛(luò )特偶遇神秘侯爵马奎斯（杨·特里(🥀)斯加 Jan Triska饰）。这个扬言要(yào )救治伯洛特的怪异侯爵，引诱伯洛特来到一(⛪)间阴森恐怖的疯人(📢)院。黏着的空气，病态的疯人，黑暗之中穿插的“生肉表演”以及(jí )一系列令人作呕的放荡作为，让(ràng )失魂落魄的伯洛特彻底崩溃了。当他从看(😖)似纯美的护士夏洛特（安娜·吉赛罗娃 Anna Geislerová饰(shì )）口中(🕞)得知院长和侯爵的丑恶的面目时，这场(🛃)炼狱般(bān )的噩梦才刚刚(😥)开始。如果，那道坎就此自行消失，那对乔唯一而言，会(💠)不会是一件好(☕)事？Mónica adores her daughter Clara. One day, the teenager is found unconscious and in a coma, a coma that even the doctors can't explain. Anxious, filled with pain and driven by desperation, Monica would do anything to save her and bring her back to life. Even something that could cause unexpected consequences...小北哥哥，我特(♟)意(🍠)带了你的(💼)(de )小迷妹来看你，你就这么躲在楼上，合适吗(ma )？慕浅走(zǒu )上前，在他身侧坐了下来。《宾虚：一个基督徒(tú )的故事》虚构了一个犹太王子——(🍙)犹大·宾虚（JudahBen-Hur），以一个类似《基督山(🔧)伯爵》的故事为我(🚄)们展现了他因(yīn )与好友信念不同而遭(🅿)到陷害、继而流放、被卖为奴、成为角斗士回乡复仇，最终成为一名耶稣信徒的曲折而传奇(🚲)(qí )的一生。新版《宾(bīn )虚》由《刺客联盟》（Wanted）导演提莫·贝克曼贝...这一天不(bú(🕘) )欺负周(😿)氏，张婆子就感觉好像少点啥一样。慕浅听了，眨(zhǎ )巴眨巴眼睛，继续追(zhuī )问：那你(nǐ )跟他们家怎么扯上关系的？Bressane's first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: "In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world". "If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: 'This is the film. This is the horror'. The meaning of the film, its appeal, derives from this laboratory of light" (J. Bressane). — Torino Film Festival