主演：伊薇特·尼科尔·布朗 史蒂芬·埃利斯 北川弘美 太田博之 Robert Murch
导演：约书亚·萨弗迪
类型：恐怖,谍战,科幻 地区：日本 年份：2022
简介：Marta settles into his new apartment with his partner. But that night is bound to be alone. The building is newly built and have barely begun to change the first neighbors. All is silent, empty - until someone knocks the door violently.林夙(sù )起身走到她身边(biān )，转头看她。慕浅迎(yíng )着他的视(shì )线，笑容清(🌧)(qīng )淡。霍靳西难得生病(🌽)，倒也(yě )是借着这次生病，难得地休息了两天。一个人(🚴)追溯他失去的爱的脚步。大卫踏上了一段前往印度麻烦之心的旅程，他的女朋友穆姆塔(📹)兹最后一次出现在那里。她的死对他打击很大。穆姆塔兹是个摄影师。大卫唯一剩下的关于她(🗿)如何度过最后一天的线索就(🎌)是她的(de )一张照片(piàn )，上面描绘了一个小男孩。为了寻找这个男孩，他(tā )遇到了年迈(⚾)、愤世嫉俗(🥨)的沙尔达医生，他(tā )向他寻(🍰)求帮助。但不久之后(🚀)，大卫发(🏜)现自己面对着(🎣)(zhe )莎尔达黑暗的过去——穆姆塔(tǎ )兹在照片中记录的过去(🐕)。沙尔达是一个训练男孩对抗剥削状态的营地的指挥(huī )官。偏偏她大(🗨)多数时间遇上的，都是不知餍(yàn )足的某(🏧)人。1941年9月(yuè(👷) ),在一(❣)场战(📳)役中，年轻的情侣克斯特亚和纳斯特(🗺)亚发现自己登上(😓)了一艘驳船，将人们从被围困(♈)的列宁格勒撤离。晚上，驳船遇到风暴。当它开始下沉时，敌(dí )机——但不(bú )是救援人员——最先到达现场杨莉速度(dù )快若闪电(diàn )，众人只听裁判刚喊开始，她立刻就动了。On one night, a journalist named Enrico Galiardin was attacked and killed by not a few people. And then, Inspector Luca Micheli begins to investigate, and somehow finds a suspect named Delogo. But, though the suspect himself confesses that he murdered Galiardin, Micheli doesn't and can't believe he did by himself. So he keeps investigating under the troublesome circumstances that both some crime organisation and the police itself force him closing the case with the only one suspect... Some apparently informative literatures seem to innocently presuppose this Italian film is a Giallo (and, strangely enough, their treatments seem to be all too brief), I don't and can't think so. On the contrary, I think this is nothing but a political drama with an unusually serious police officer, which excludes so-called Giallish elements. And, though this film betrays me exclusively because it is not a Gallio at all, I believe this is a simply great film. Concretely, the strength of this film lies mainly in two and independent powerfulness; its passionately and almost fanatically serious leading character, Inspector Luca Micheli, whom Frederick Stafford superbly plays, (indeed, this male character is too serious to be realistic and therefore has not only unacceptably official but also tragically marital/familial dysfunctions, and at the same time he is so powerful that does not perform a series of actions one after another but at one stoke brings about a series of events one after another), and Riz Ortolani's highly impressive music (his music is, of course, not event(s) and therefore do not straightforwardly enter into the casual relations, but is so powerful that can bring about event(s).) And furthermore, the director, Camillo Bazzaoni, has trustworthy talent for making each scene impressive. Especially, I am unexpectedly and almost astonishedly impressed by the aesthetic violentness of the last scene, which is adequately heightened and enriched by Ortolani's music. In conclusion, I can say this film is a great one which is recommendable to the general Italian-film-lovers.她(tā )这些话出来，真心劝刘氏不要闹的几个妇(🧐)人都觉得自己多管(guǎn )闲事，脚下就退开了两步。