导演：姚冠辰
类型：古装,谍战,动作 地区：香港 年份：2014
简介：听肖战说，经常在五十分左右徘徊，死活不肯踏上及格分的道路。那一瞬间，顾(🚷)倾尔脑(👃)海中闪过许(xǔ )许多多，竟都是傅城(chéng )予(yǔ )在她(🌭)病(bìng )房之中(🚝)说过的那(nà(💲) )些话——张秀娥随口说道：我看你眼睛不好使，我这样的能像花儿？我顶多就是一把杂(📨)草！她一路下楼去拿了水喝，再上来经过(guò )书房时，有些(xiē )想要打开书房看一看的好奇，可是想了想，却还(hái )是作罢，直接回到(🙀)了卧室。武平侯夫人也没藏着掖着：自小就给她(tā )存着了。Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.本片取材自真人真事，曾获(huò )得美(🏹)国青少年观众票选大奖提名。今天去镇上的(🐃)，还有落水村和李家村的人，如果青山村一(🤾)直没人出去，外头那些打(dǎ )不过(guò )那两村子的人，早晚全部跑到青(💟)山村(cūn )这(zhè )边路上来，甚(🔑)至是进村打劫。眼(yǎn )前这个人牢(🍵)牢掌控着她，她根本无处可逃。