主演：松金米子 沙伊伦·慕克吉 王美英 芬·阿特金斯 Munson Hicks Kim Adis
导演：马雷克·科特斯基
类型：科幻,谍战,悬疑 地区：泰国 年份：2014
简介：In high school, three girlfriends decide to make a secret pact with each other to wait to have sex, save themselves until they feel the time is right, despite an aggressive plan from the opposing sex.Abold,feministfilmabouthowthevaginahasshapedourviewoftheworldandtheshamearoundfemalesexuality.Womenfrom19to77yearsoldtalkaboutpuberty,menstruation,bir...影片改编自小(👠)说Go,主(👛)角Lee(Robert Sheehan饰演)在伦敦莫名卷入一系列麻烦中，由此展开一段疯狂的逃(táo )亡之旅...过了一会儿，张大湖(hú )就自顾自(zì )的把这孩子给放下了，他虽然想一直抱(🦆)着这孩子，但是孩子太小了，他有点心疼。剧情描述在荒芜的未(wèi )来世界，吉普生（(🏒)尚格·云顿）帮助一个半人半机器的(💕)混种人，将能解救千万人性命的疫苗送回家。一路上(shàng )坏人亟欲除掉这名混(hún )种人，好让世界陷入混乱以趁机成为地球的统治(💟)者(zhě(😟) )，但吉普生绝不会让(🅾)他们如愿。Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.青衣小(🏑)(xiǎo )厮当下就明白秦公子的意(yì )思了，掏出一张(😔)五十两的银票递了过(guò )去。靖远侯夫人柔声(💊)叮嘱道：药可都带齐了，路上可不如家中方(fāng )便，而且坐船的话(🎤)，提前去(qù )备些晕船的药。A police officer, Nicola, violently argues with his rich wife, Sarah, because of her affair with a man, and goes to his female friend, Anne, a psychologist/ professor. But Sarah was murdered in the bathroom of the house, and most parts of the police think Nicola is the primary suspect, except Piero, an inspector of the case, who realises that what the still-unknown-murderer really wants is his daughter, Carol who is one of the students of Anne... If one expect something cinematically new in this film, (s)he will be disappointed strictly because there is almost nothing new. But (s)he is a fun of Giallo films, I think (s)he can love this because whole the film consisted of selective elements of Giallo films, notably of Dario Argento's TENEBRE and FOUR FLIES ON GREY VELVET. For instance, the music composer of this film is Claudio Simonetti of the GOBLIN (and he does an excellent job here), and Lara Wendel of TENEBRE's youngest victim, Maria, plays the short-haired fair heroine, Carol (and her boyish attractiveness adds a fresh atmosphere to the film). But above all, particularly with the regard to the plot, the influence of FOUR FLIES ON GREY VELVET is much stronger, and one can even say this film is a post-TENEBRE remake of it.