主演：张玉英 夏和平 吉泽京子 莎娜·费斯特 吴恒 谭天谦 常征
类型：谍战,古装,科幻 地区：泰国 年份：2022
简介：从北面的机场出来，再穿过半个城市，抵达南面的私人(🐘)会所时，天色已经暗了下来。Two estranged siblings inherit their grandmother's home after her death, but as they work to clear out the old home, they find themselves trapped inside behind a door with eight deadbolt locks... and the world outside the home is plunged into unnatural darkness. The house descends further and further into a surreal nightmare as the siblings desperately search for the keys that will open the way back to reality, but their mutual anger and distrust threatens to doom them to eternal imprisonment in this house that is not merely a house, but a trap for human souls.梅和莉莉是好朋友(yǒu )，多年来以偷盗为(wéi )生，一天，她们遇上了一(🧡)个古惑仔杰克，发现三人竟是小时候保良(🈺)局的旧同学。缺少(shǎo )社会关爱的三个人彼此之间有了一点人间的(de )温情，经过一段时间的相处，两个少女(🗜)同时爱上了杰克。可惜快乐的(de )日子过不了多久，噩梦便来临。杰克发现被其大哥骗了，他坚持要拿回属于自己的东西，在两个女神(🔑)偷(✈)的(de )协助...最后实在忍不了，咚咚咚的跑到顾潇潇面前(🦓)：你，你别得意，我以后一定会超越你的。白阮有点为难：我们都(dōu )走了，昊昊(hào )怎么办呀？Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10.院子(🍈)里面(🍻)有(yǒu )这么大的动静(jìng )，聂远乔(qiáo )和铁玄不可(kě )能没注意(yì )到。本(🎍)片是周润发早(🤺)期英雄片的代表作之一。一夜(yè )，一(🥝)名警官在搜查红灯区(qū )时，却(🐫)意外(wài )遭枪击身亡，警(🌪)局高层意识到了(😏)这里潜藏着一班不寻常的匪徒。刘帮办联系上了警局一直部署在江湖(hú )的卧底，也是他的外甥――高秋(周(zhōu )润发 饰)，要他尽快打入这帮匪徒的内部，获知他们的犯罪计划(⚓)。Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può(⭐) Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.