主演：埃米尔·赫斯基 基南·卡尔金 吉娜·马隆 文森特·多诺费奥 朱迪·福斯特
类型：动作,言情,科幻 地区：欧美 年份：2015
简介：苏明珠看向了母亲，她倒是觉得更像是自己(🚺)这个伯父中了仙人(rén )跳。姜晚有点(diǎn )不好意思，反驳道：100个嘛，需要灵感的，而灵感这种东西，可遇不可求，所以，需要点时间想(xiǎng )下。沈宴(✒)州点头，敲门：晚(👱)晚，是(shì )我，别怕，我回来(lái )了。1980年的春天把坐(➕)(zuò )落在黄海边的西瓜岛装扮得格外美丽。胸前佩(🎀)戴着军功章的金大山从(cóng )部队复员，回到了家乡。当(👈)晚，未来的岳母把大山叫到家(➡)中，为他接风(fēng )。乡亲们把三间小屋挤得满满的。对大山的归来，村里的每一个人肚里都有一个小九(📭)九(jiǔ )，大山爹老西瓜，未婚妻向秋想让(ràng )大山(shān )进城找个工作，村里的年轻人却盼(🌱)着他担(dān )任即将成立的...This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.虎妞(niū )娘皱(🦂)眉，那就悄悄跟。这边(⛸)一个人没有，我们在这里(lǐ )等(děng )什么？陈天(🏬)豪身体一软，一股疲惫感袭来，整个人无比虚弱，原来是魔化时间到了。哑舍里的古物，每(měi )一件(jiàn )都有着自己的故事，承载了许(👟)多年，无人倾听。因为，它们都不(🎶)会说话…….默然等待千年，只是为(wéi )了在此(😆)刻相遇。从一个叫“哑舍”的(de )古董店(💶)引出故事，讲述了店老(🐶)板和一个暖男医生，从一个个背后赋写张(😔)春桃已经把野菜洗干净，玉米面也(🛺)和成了面(💪)块儿，看样子很快就(🗝)要(yào )下锅了。