主演：本尼迪克特·康伯巴奇 琼妮·威利 本·蒂伯 袁骁 魏睿
导演：出合小都美
类型：科幻,言情,悬疑 地区：中国台湾 年份：2018
简介：我当然不可能(néng )得罪人啦。慕浅说，不过嘛(🖐)，容恒说他不小心说(shuō )错了话，我啊，是(shì )替他道歉(qiàn )来了。不过，我猜你应该没生他(📷)(tā )气吧？(🥓)三十而立的失败青年(nián )卢瑟，因为收错快递竟然一夜之间变身(🛌)土豪。卢瑟这个屌丝平日的夙愿达(😿)成，屌丝(sī )一夜的逆袭已然上演在自己的身上，半梦半醒间一场土豪生活之旅随之展开。朋友的恭维，现实的嘴脸，态度360°大反转。然而物极必反的规则并没有打破，沉浸在黄粱(🍇)梦的卢瑟貌似很快就要醒了...一次宿醉之后，肇(🛹)事的快递(dì )员，失主老板的手下，贪财的贼情侣各路追(🚒)击(jī )卢瑟。突增的危机四伏(🏂)，卢瑟将逢凶化吉还(🌹)是原形毕露，这意外之财是上天对卢(lú )瑟怜(lián )悯的眷顾还是恶意的调(diào )笑？重新选(🤑)择(🗯)的(de )的卢瑟最终翻开新的人生篇章...任东的警惕性很强，突(🐶)然(rán )，他耳(🦇)根一(yī(🔈) )动，听到后面传来一道细微的(de )声响，他迅速转身，只是他刚转身，后背就中了一枪。公元十(🏹)三(sān )世纪，成吉思汗铁蹄西征。中亚小城扎墨脱，战火中出现了一个身怀绝(🏣)技、身(shēn )披华丽锦(🍵)袍的神秘女俘—(👍)纳石失（张璇 饰(shì )）。这一锦袍不仅仅是工(🏠)艺绝伦，还加持着一个(gè )城邦兴衰的古老咒语。就算是这次用的不是(✖)劣质脂(zhī )粉了(le )，张婆子这样也是十(shí )分骇人(🎑)的！任东得以脱身，就地一滚，来(📘)到顾潇潇旁边。一个名(👥)叫凯（马克·达卡斯科斯）的杀手飞到(dào )曼谷，拿了把枪(🏵)，叫了一辆出租车。他(tā )给了(👤)(le )一个职业女司机一大(🈹)笔钱让他当(😚)他的(🧗)通宵司机。但当她意识到凯(kǎi )在每一站都犯下残忍的谋(🖨)杀(shā )案时，就已经来不及离开了。与此同(🌩)时，一名另...12 year old Jason mistakenly suspects his parents are splitting up when his Dad announces he's leaving for a job interview in chicago. I n very funny misguided attempt to save his family, Jason and his fourteen year old sister follow him to Chicago to ruin dad's day.In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."