主演：帕洛玛·克维亚特科夫斯基
导演：威尔·盖格
类型：恐怖,古装,言情 地区：香港 年份：2019
简介：孪生兄弟的哥哥在(📋)美国(guó )与印度女(🎒)孩马德米塔邂逅，但(dàn )由于维斯的父亲雷加马里自身(shēn )的悲(bēi )惨经历，他坚持他的(🍑)儿子只能娶孪生姐妹，为了达到这对相爱恋人的心愿，马德(dé )米(mǐ )塔家人千方百计演了一场骗婚的戏，但雷加马里得知真相(💖)后勃然大怒，最后这对恋人能否有情人终成眷属吗？她(Ⓜ)拉着(🏎)秦舒弦出门，语气柔和，别怕，周府还是我当家呢。有我在一天，就没有人敢欺负(fù )你。张春桃听到这好像一(🍊)下子就明白了：姐姐，是不是咱奶奶(🗞)又过来了？你过来，我有事(👓)跟你谈(🕸)谈。蒋少勋丢下一句。几名保镖瞬间都警(👥)觉(🕠)(jiào )起来，傅城予只微(😲)微回头扫了一眼，下一刻，手上便(biàn )一用力，直接将关到仅剩一条缝的门紧紧闭合，将自己和她(tā )隔绝在门里门外。每当圣诞节临(lín )近，圣诞老人就会(📶)让他的精灵助手们用魔法为地球(qiú(🍙) )上的孩(🛫)子们准备(💋)礼物。但是地球上的孩子越来越多，在这次圣诞节即将来临的时候，精灵们渐渐忙不过来集体病倒了。为了救助精灵，圣诞老人决定去地球上寻找(😨)解药(🥑)，却在(🛴)巴黎遭到雷暴而(🤢)迫(pò )降。圣诞老人自己都不知道，他已经开(kāi )始了一场奇幻的冒险。秦肃(sù )凛有些诧异的看(🧞)他一眼，道：你没必要告诉我名字。故(gù )事发生在巴勒斯坦，一个名叫贾法尔（赛森(👲)·加百 Sasson Gabai 饰）的渔夫拾(shí )得(🍹)了一头体型巨大(👟)的(📣)猪，在贾法尔的宗教信(xìn )仰里，猪是罪恶和肮脏的化身(shē(🐦)n )，为了解决这罪(🎸)(zuì )恶，他决定将这头罕(hǎn )见的(de )奇猪(zhū )卖(mài )掉(diào )。然而，贾法(fǎ )尔的朋友们却(📶)并不这(zhè )么想(xiǎng )，剃头匠劝贾法尔利用这个机会成名大赚一笔，农妇伊莲(liá(🔖)n )娜（马里亚姆·特凯亚 Myriam Tekaïa 饰）却坚持要让(ràng )头猪传宗接代。I also must admit being surprised at the extreme obscurity status of this film. It may not be the greatest Italian crime-thriller of the 70's but it's undeniably great entertainment, stuffed with sadistically violent images and long gratuitous scenes of sleaze and full frontal female nudity. If that doesn't appeal to avid Euro-cult cinema fanatics, then I don't know what else does! The two most encountered titles "Violence for Kicks" and "Terror in Rome" also immediately summarize the full story. A gang of young & ruthless bikers terrorizes the streets of Rome for no other reason than kicks and to kill their copious amounts of spare time. They purposelessly gang-rape random girls, beat up pedestrians, deal hard drugs, organize illegal street races, menace witnesses, murder city employees and commit violent heists even though they don't need any money as they're all the offspring of rich & eminent citizens. The tough police inspector De Gregori (Antonio Sabato) rapidly becomes very frustrated because each time he arrests the arrogant gang leader Stefano, his daddy's attorneys arrange a release warrant the exact same day. But when the gang's aggressions gradually become viler and De Gregori's own wife becomes the target of an assault, he decides to enforce the law slightly more drastic. "Violence for Kicks" is extremely incoherent and the events actually just jump swiftly from one nasty sequence to the next, but the pacing is fast and the script doesn't allow you to bother about the several improbabilities. There are no character studies or moralistic speeches to suffer through here; just plain old action and excitement. The violence is truly nihilistic and "Grindhouse"-like here, including extended shots of burning corpses and executed children. In spite of all the nastiness, there's even a bit of room for comic relief, namely in the persona of Insp. De Gregori's dimwit assistant. During an interrogation, the arrogant Stefano refers to a theory of philosopher Friedrich Nietzsche. Afterwards the assistant subtly turns to De Gregori and asks him: "I do understand everything and all, but … what does this guy Nietzsche has to do with the whole case?" Too funny! Coriolani Gori provides a stimulating score and cameraman Sergio Martinelli masterfully choreographs the multiple car chases and motorcycle races.