主演：克里斯蒂安·马康 刘思彤 玛丽·鲍尔斯 陈少霞 诺亚·比恩
导演：翰竹先生
类型：悬疑,动作,古装 地区：美国 年份：2013
简介：刚把(⛷)小(xiǎo )丫(🦑)头捞进怀里，她讨人厌(yàn )的小(😏)嘴立刻嘟(🛃)哝一句：我不要太监。张秀娥看着秦(🤴)公子那木若呆鸡的样子，心中一下子就有了满足感，这才对么！这样她才感(gǎn )觉自己没有被人掌控，反而是掌(zhǎng )控给了别人。偶见有(yǒu )买书者，收银处拿(🦂)到书第一件事就是反复(🈁)擦(cā )拭，可那书已(yǐ )遭多人(🕳)践踏，百拭不新，书页里(🌩)指印不断，更有被严重践踏的。销售额每况愈下(xià )。于是私营书店里必会打折，然而打折不容(róng )易，打折借口却难找(zhǎo )。中国(guó )不(😚)比美国，节假日较少，不能俨(🍤)然列(liè(🤬) )出：为迎接××节，本店(diàn )打×折。只(zhī )好违心写道：为答谢广大读者对本店之热情支持，兹决定(🌋)即日起五天之(Ⓜ)内打八折。一个月后路过(🍛)那书店，门口依然即日起五天内打八折。一些更小的书店财力不支(📗)，只好八天(💧)之内(🍞)打五折。折扣打得越低，想买书的(de )越是耐心等待(😊)某月某(🔋)日有二三折，双方僵持。结果想买书的一天醒来，发现对面小书店已换成杰克(kè )逊咖啡屋(JacksonCoffeeHouse)或(huò )者杰克儿子咖啡(🈳)马(JacksonCoffeeHorse)，后悔不及。琼斯（理查·基尔 Richard Gere 饰）(😪)是一个英(yīng )俊帅气颇具魅力的男人，年岁渐长的他尽(jìn )管身边从来不(bú )缺少女人，却一直保持单身。原来，曾经痛苦失败的感情经历令琼斯患上了躁(😿)郁症，一旦病发，琼斯平日里的温文尔雅风度(dù )翩(🤶)翩就(🍛)全都不见了，转而替代的只有(🍛)无穷无尽的疯狂。ART HOUSE MASSACRE is a nail bitingly tense suspense horror set over one gruesome night. Ben (MARTIN LAURENCE) and Liz (EMILY BAXTER) are a married couple still coming to terms with Liz's recent miscarriage. Too distraught in the weeks after it, she quit her nursing job, and Ben is struggling to hold on to his accountancy job after a round of redundancies. Things are not that great between them right now. In a bid to make some money on the side to help out, Liz accepts a shady modeling job for Philip (RYAN ELLIOTT), an intense photographer who works from his sprawling house in the middle of nowhere. But Philip isn't what he seems... Now: Liz is trapped in the dungeon-like basement of the house, in the clutches of a murderous psychopath with artistic pretensions, and caught up in an organ-harvesting nightmare. Her only hope is Ben, the one person who believes she's in danger It's a race against time to save her, but can Ben get to Liz before she becomes Philip's next victim...?顾潇(xiāo )潇懒得管她，扔下一句等会儿迟到(🤤)别嚎，就拖着拖(tuō )鞋(xié )去洗漱了。翻到围(wéi )墙上，顾潇潇看见不远处的大树底下，站着一个(gè )身穿白色西(xī )装(🈲)的男人，男人身姿绰约(🚘)(yuē )，风华绝代。看到院子里已经热闹的开始(🍹)上菜，道：快开饭了，晚了(⛅)可不方便吃。The impressive title work is the viewer's first clue that producer William Alland and director Eugene Lourie squeezed considerable artistry and style from a shoestring budget. Look past the economic limitations; the suspenseful and imaginative story involves the death of a humanitarian genius whose father (a famous surgeon) and brother (a robotics expert) team up to keep the genius' brain alive in a robot body (well designed by ace effects artist John P. Fulton). The film's message concerns the nature of the soul and the role which physical sensations play in making humans act humane. Other affects by Fulton include one of sci-fi cinema's best death rays. All in all, a moving and intelligent movie