主演：约翰·奎尔伦 朱顺良 玛丽·斯图尔特·马斯特森 刘骐 塞尔希奥·布斯塔曼特 尤迪特·波加尼
导演：杰伊·罗奇 蒂姆·罗宾斯 乔恩·鲍尔 麦克·勒曼 J·迈克尔·穆罗 斯科特·怀南特 亚当·伯恩斯坦
类型：动作,古装,谍战 地区：中国台湾 年份：2013
简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.好莱坞一代人物追(zhuī )寻(📞)难(🧐)(nán )以捉摸的GT 390晋西北赵长城镝楼脚下(🕹)有一(yī(😟) )个偏远的小(xiǎo )山村，村里的富裕户旺来用5000元钱买(mǎi )来(📜)了一个俊俏的婆娘…杏花。然而，结婚已经几(⏱)年了，杏花却一直没有(👭)怀上娃。旺来靠投机倒把发了财，开了(🤷)一(⏺)家杂(zá )货(🏒)店。他(tā )使用坑蒙诈骗的伎俩，不仅卖东西缺斤短两，还在酱油、醋里对水。杏花对此很不满意，但慑于旺来的淫威，不(👮)敢表露出来，终日忍气吞声地混日子。旺(⛷)来(👧)见杏花总不给他生娃，气不打一处来，一面粗暴地在(♉)杏花身上发(fā )泄兽欲，一面又(yòu )和已有(yǒu )三个娃(🐿)的瑞(🗳)风勾勾搭搭，指望(🎱)她能给自己(😰)续上香火。杏(🧐)花不堪忍受旺来的虐待，与回乡青年福林相爱了。不久，杏花怀孕(🔳)了。不知实情的旺(🌪)(wàng )来欣喜若狂。然而，当他得知孩子是福林的，不禁恼羞成怒。旺来把福林痛打了一顿，并将其种植的林子砍了。杏(📻)花满心希望福林能勇(yǒng )敢地起来反抗，给她做主。没有想到，性格软弱的福林在这关键时刻(kè )却退缩了，给杏花留(liú )下了无限的惆(chóu )怅(🖼)。旺来听说长城脚下埋着一个金蛤蟆，不(🐬)由得怦然心动，他不(bú )顾(🚙)万三大爷的劝阻，在一个(gè )雷(✉)(léi )雨交加的夜晚，带着一伙人跑到镝(dí )楼脚下挖了(🕠)起来……淮料想。费了九牛二虎之力挖出(😢)来的竟是一颗(🔶)(kē )前人的骷髅。就在这时，镝楼终因不堪挖掘倒塌下来，绝望的(de )旺来就此一命(🍠)呜呼。此时，孕(🤥)育着新生命的(de )杏花，在脱胎换骨的路上，露出了苦(💳)涩的微笑……一个IT男屌丝（(🐭)曹云(yún )金 饰），获得人生第一笔融资后，想给心爱的她一个完(wán )美的求婚，却被女友误以为出轨，上演一(yī )出群众现场捉奸的好戏。一个孜孜以求的潦倒艺术(🚐)青年（孙坚 饰），辛苦多年的作品(pǐn )却(📣)无人能懂，最终出现在他生命里的贵人，竟然是个身价过亿(yì )的清(🛋)纯女神…… 冥冥之中，这些(xiē )人又都被一(yī )种神秘的力量联(lián )系(🛩)在一起……In Czarist Russia, around 1911, a Russian-Jewish handyman, Yakov Bok, is wrongly imprisoned for a most unlikely crime.高个(🗾)女生抓住(zhù )她的手，用了几分力(😯)：没证据最好别乱说啊！19世(shì )纪末，一个不平凡的女子(zǐ )在江南水乡(🎖)绍(shào )兴成长起来，她是原福建巡(❇)抚秋寿(🦐)南(nán )的女儿，父亲忧国忧民的情怀自幼感染着她。在以后(⏫)的日(👯)子里，秋(qiū )瑾始终反对封建礼教，追求男女平等，心中装有(yǒu )国家和黎民百(bǎi )姓。此外，秋瑾（黄(huáng )奕 饰）武功高超，饱读诗书，但是她无力改变当时中国的现状。自鸦片(piàn )战争失败以来，腐朽(💘)的满清政府与列强接连(lián )签订了无数条丧权辱国的不平等条约，古老(🏉)的华夏大地沦为了任(🌓)人宰割(♌)的肥羊。这是一(yī )场老爹和儿子(zǐ )的较量(liàng )。为了荣誉，也为了亲情。 菲(🎿)尔•韦斯顿(dùn )(威尔•法莱尔饰)，与芸芸众生一样，是个平凡的人。日出而作，日落而息，每天周(♿)而复始，没有什么激情。而他的老爸巴克(罗伯特•杜瓦(wǎ )尔(ěr )饰)却是个活力四射的老头，无论(lùn )做(zuò )任何事情，巴克都一定要赢。老爸瞧不(bú )起生活没有追求儿子，而儿子又总是苦恼于老爸...When the villagers killed Constantin Tirescu, they thought it was justice. Vlad Cozma thinks it was murder. Now Constantin thinks pickles might go nice with blood.