主演：乌尔里克·C·扎勒 宋庭隽 孙筱燕 艾米丽·梅德 丽萨·布伦特
导演：拉斯·克劳梅
类型：谍战,言情,科幻 地区：大陆 年份：2013
简介：A woman working as a security guard in an agricultural research facility finds herself and her co-worker Schmidt fighting to survive against their for...我滴个老(🐑)天鹅啊——贺靖忱仿佛无法接受自己看到的这一幕，焦虑得手脚都不知道往哪儿摆(🍐)(bǎi )，你还是我认识的霍二吗？周立诚把脱力的林思音抱了起来，心(xīn )里忍不住后怕，这只变异巨蟒太厉(🍋)害了。鹿然那双漆黑澄澈的双眼立刻又亮了起来，仿佛见到了(🏵)什么了不得的人，你是他(💇)的亲哥哥！张采萱赶紧跟了上去，走了半晌，才到了秦肃(🕷)凛的家中。我哄老人呢。慕浅也(yě )看(kàn )了霍靳西一眼，一边走出(chū )房间，一边回(huí )答道。从前跟(gēn )现在不(🦋)一样！叶瑾帆情绪(🌦)似乎也微微激动起来，他看着她，从前(😺)我缺少的资本、机遇，现在通(⛷)通都摆在我面前，比比皆是！我为什么不要？小时候和杨大伟说话(huà )，不(bú )用考虑要埋什(shí )么伏笔或者赋予话什么深刻的(de )含义，该是什么意思就什么(⏸)意思出去，你说我(wǒ )爱北京**他还能明白，你说(👸)我(wǒ(🛳) )爱北京最有名的一个门那就没门了。我们在文化(🖌)广(guǎng )场下面吃点东西，这厮原先在我们学校对过摆一个水果(guǒ(🧀) )摊，做生意因为老少皆欺(qī )，又(😿)没有执照，加上一(yī )次卖出去一些柿子，买的人比他聪明不了多少，不知道什么东西不能搀着一块吃(🐔)，一口柿子一口螃(páng )蟹，结果吃进医院。倒霉的事情是(shì )那进医院的没有死掉，他爹是(shì )工商局一个大人物。于是第二天，杨(🐣)大(dà )伟的摊子就消失不见(jiàn )了。后来杨大伟去了北京，我们(men )当时班主任的(🐶)意见是(⛄)，杨大伟将来不饿死已经是上(💷)帝怜悯(⏸)他有个这(🙊)么难听的名字了，如果(guǒ )杨大伟以后混出来了，我就买个柿子撞死。In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."