主演：文森特·温特莱斯卡
导演：仓内均
类型：科幻,谍战,言情 地区：泰国 年份：2016
简介：门口负责打(dǎ )理的(de )工作人员瞬间脸色大变，紧张地正要解释时，齐远拍拍他的肩(jiān )膀，请他让到一边，随后从自己的(🎽)行李袋中(⛅)取出一双全新的女士棉毛拖鞋，放到了慕浅(qiǎn )脚边。Can losers find love? Southwest desert radio station K-RAP is struggling to pay the bills when radio jock Jack Proctor (Beau Clark) zooms through Coyote County on his way to LA to take the gig of a lifetime. But the deal stalls, so Jack temps on-air work for K-RAP. Dr. Lauren Hartford (Nikki Boyer), local on-air relationship expert, gets under Jack’s skin by questioning his love advice — so Jack initiates a high stakes contest to find Coyote County’s biggest loser and help him woo the county’s most unattainable woman. Before this battle-of-the-sexes is over, Jack and Lauren will learn love is for losers after all.虽然的确有些时候会觉得有点小难(nán )过(🈸)，但从来不灰心丧气(🆑)，这(🥌)么多年来，喜欢苏淮已(💆)经(⏳)成为了她(🐀)的生活习惯，戒不掉也不(🚸)想戒。凌雲(夏夢軒)、江楓(許(xǔ )珮青)、丁珮/唐美麗(黛黛)、歐威(😶)(范伯南)、文(wén )玲(🚠)(美嬋)、雷鳴(陶思賢)、白琳(金嫂(🧐))、葛蕾(lěi )(范小楓)、古(gǔ )軍(程步雲)、潘潔漪(吳媽)、黃(huáng )德玲、董德齡(📪)(雅嬋)、佩玲(秦笑)宁(🔂)诗言扬眉，笑得肆意(yì(🦄) )：年纪不大，但我思(sī )想可比你们成熟。她一口鲜血喷涌而出(chū )，在绝(👾)对的力量前面，任何技巧都相当于0。但是她这个时候也不会表现出来什么，有个能传信儿(ér )的人，总也比没有强。The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.若是从前的他，大抵早就为她做出(🌕)安(📔)排，让她于某天做好准备，或者压根连准备也不需要，直接就将她带回家里去了。