主演：内藤大湖
导演：达雷尔·鲁尼
类型：恐怖,古装,悬疑 地区：欧美 年份：2019
简介：望着顾潇潇娇媚的容颜，他眸色变深，翻身将她压(🔲)(yā )在身下(xià )。伊莉絲和姐妹蘿拉(🕯)在夜裡逃家，但她完對此全沒有記憶，也不知道蘿拉為何失蹤。15年後(hòu )，蘿拉的屍體(tǐ )被發現(xià(💀)n )，她決定(⛴)找出真相(🥒)。顾(🎭)潇潇得嘞一声，搞怪的敬了个军礼：报告(⛸)长官，已经站好，请继续吩咐。因为(😅)她精致的妆容，顾(gù )潇潇(🦉)愣(👬)是没看出是谁(🐍)。This is a rather depressing story about a woman who suffers depression and returns to Spain from Venezuela, where she has been living with her wealthy lover. This woman, well played by a dubbed Viveca Lindfors, seeks treatment in an asylum which appears to be located near Madrid. Although they hadn't meet since she was a 4 years old child, her daughter (a dull Sonia Bruno) is not resentful, and joins the mother in the asylum, where the patient will undergo a psychodrama treatment. The plot revolves around both women's difficult relationships with their respective lovers, and the rich patients who surround the middle-aged (Viveca and Francisco Rabal) and young (Sonia Bruno and Julian Mateos) couples. Some other small characters which are quite interesting are patients such as a highly neurotic blonde bombshell actress (played by lovely Gisia Paradis), a bipolar and gossipy woman (Laly Soldevilla)...both providing a few very welcome camp humour relax moments to an otherwise very gloomy story. I liked the psychodrama session scene with Viveka and Rabal reenacting the scene that triggered her depression, and I think that the film was well handled, had good production values, good development of characters. Maybe the young couple lacked charisma, and some scenes were a little bit slow-paced. Francisco Rabal played his usual strong male-voiced masculine self, and if effective, I don't find him interesting. Viveca Lindfors was very compelling, and with her use of body and facial expressions managed to bring to life her not very appealing part of a depressed bourgeois housewife. Julian Mateos had a nice body at the time, and was OK as the tortured alcoholic and violent patient who seduces the visiting sweet Sonia Braga. Overall, a curious example of the Spanish attempt at a sort of new wave in the 1960's by the prestigious Miguel Picazo (La Tia Tula, 1964), and mainly recommended to Miss Lindfors' fans.昨天晚上就是他送阮(ruǎn )茵来的(de )，今(jīn )天依旧如此。他喜欢看张秀娥，那张秀娥自然是不难看的。影片讲(jiǎng )述了1948年，济(🐺)(jì )州岛的居民们听到一个令人闻风丧胆的传闻--海岸线5公里以外的所有人都将被当做暴徒无条件处死。而这(zhè )个命令正(zhèng )是所谓帮助捍卫韩半岛安全的(de )美军驻军下达的。岛上的老(👥)百姓不懂英语，整日人心惶惶，四处避身，靠分(😴)吃土豆果腹(fù )。三万多的村民完全不知(🔕)道这些异(yì )族军官为什么要驱赶他们，而他们将会(huì )面临怎...徐(xú )子健在姨丈莫惠康的银行工作。一次他(🎵)从台湾到香港出席会议,在旧同学罗叔民家重遇叔民(🚊)(mí(🔛)n )的堂(🕕)妹文霞,两人堕(🤼)入爱河,然而子健(😋)原来已跟表妹爱玲(🧑)(líng )订(🛠)婚。子健返台湾前,写信(xìn )给(gěi )文霞,表示订婚(🕛)实非其愿,并决意跟爱玲解除婚约。文霞欲往见子健,却被姑母用安(ān )眠药阻挠,使她昏睡,书信(xìn )更被姑母收起,二人失去联络,子(zǐ )健失望之余,惟有与爱玲结(jié )婚。数年后,文霞到台湾工作(zuò ),与子健重逢,时子(😽)健已有子女,两人旧情复炽,且秘密同居。除夕夜,爱玲不幸被汽(🖱)车撞倒弄致残废。爱玲母带同子健的子女往求文霞(xiá )不要破坏子健的(de )家庭,文霞忍痛答允,并决意远离伤心(☕)地,当子健追到机(🥒)场时文霞已经离去。最后,子健念及亲(🕯)情(qíng ),到医院探望爱玲,一家团圆(yuán )。