主演：金塚Kanazuka 三嶋志津 芦屋静香
导演：李·克罗宁
类型：动作,恐怖,古装 地区：日本 年份：2023
简介：日本封(fēng )建時代統治者為了鞏固政權，把人民分為不同階級(⌚)。被稱作「多(😐)穢」、「非人」的(😋)部落民，長(🏵)年飽受歧(qí )視和(hé )折騰，時至(zhì(🤜) )今日，餘燼尚存(🕐)。改編自島崎藤村原著小說，本(běn )片背景為明(🙍)治後期，部(bù )落民出身的小學教師瀨川謹守父親的戒律，竭力隱瞞身(shēn )份；幾(jǐ )經掙扎，終於鼓(gǔ )起勇氣面對自己(jǐ )。攝(shè )影師宮川一夫曾為溝口健二(🐨)、黑(hē(🏢)i )澤明多部名作掌鏡，野外場景富有史詩(shī )風範，捕捉了部落民與天地相生相剋的關係；古(gǔ )裝片巨星市川雷藏擔演(yǎn )時裝片，散發獨特的哀愁、澄明、純美；性格演員岸田(🍷)今日子扮演部落民解放運動領(🛒)袖的妻子，個(🎦)性溫婉卻意志堅定，演活了活出自我的新女性。《電影旬報》年度十大第四位。Ivan Passer's "Law and Disorder" is a gentle, touching, sometimes disruptively funny movie about—among other things — ignorance, prejudice, rape, larceny, the failure of small dreams, about people trying desperately to cope and often coming apart. It stars Carroll O'Connor as a taxicab driver and Ernest Borgnine as an ex-Marine, who is a hairdresser with a passion for guns. They are the nucleus of a small group of outraged tenants of a housing project called Co-op Village, set on the Lower East Side of a New York City that bears some superficial resemblance to the setting of the inexecrable "Death Wish." "Law and Disorder," is the second American film by Mr. Passer (his first was "Born to Win") whose "Intimate Lighting" is regarded as one of the major achievements of the brief, mysterious renaissance of Czechoslovak films in the nineteen-sixties. Willie (Mr. O'Connor) and Cy (Mr. Borgnine) and their friends are threatened as much by the onset of barren middle age as they are by the collapse of civil order. Thus, when they form a police auxiliary unit to protect their neighborhood, they are as invigorated by the opportunity to wear uniforms as they are by the opportunity to bring peace to the community. Perhaps more so. The uniforms define purpose. They recall a more innocent time, say World War II, when there was never any question as to who was right and who was wrong. The ultimate failure of Willie, Cy and the others is less a comment on their inadequacies, often hilariously detailed, than on the overwhelming complexity of the urban problems they face. It's this awareness on the part of Mr. Passer, as well as on the part of William Richert and Kenneth Harris Fishman, who collaborated with the director on the script, that separates "Law and Disorder" from exploitation junk like "Death Wish." It also dictates the mood of a film that slides between farce and melodrama, between high good humor and enervating despair. Some of Mr. Passer's characters, like Willie, continue to try to improve things. Willie dreams of a new career. He wants to sell his taxi medallion and buy a lunch counter, much to his wife's horror. Says Willie in desperation: "I ain't a failure, Sally, I just ain't on time." Cy, the hairdresser, is a hunter. He keeps an entire stuffed deer in the bedroom and has a piranha fish in a tank in the living room. He doesn't hunt people, however, and he hasn't quite arrived at the point occupied by most of the other citizens of the city whose motto, repeatedly expressed, is an obscene two-word imperative.故事大概发生在1911年威尔士山谷，讲述了一个不(📹)幸的爱情故事(🍜)。盖诺来自于一个矿(🌖)工的家庭。所罗门的父(⤵)母是(shì )开点当行的犹太人(rén )。所(🐇)罗门对盖(gài )诺隐(🐈)瞒了自己的身份，他们成了一对恋人。当盖诺怀有身孕以后，他们决定双双出逃。但是，所罗门却遭到盖诺兄弟(dì )的毒打。所罗门踉踉跄跄行进在风雪之中，艰(🧤)难的走(zǒu )回农庄，盖诺此时却在等(🚢)待与他最后的重逢……影片讲述一(🦃)名前往底特律参加工作面试的(de )年轻女子预订了一间出租屋。但当她在深夜到达时，发现房子被重复预订了，一个陌生男子已经住(zhù )在那(nà )里。但她很快发现，这里还有更多恐怖的东西(➡)。自家主子(🏽)和张秀娥在一起待过之后，不应该是很开心的吗？Walter Hugo Khouri号称是(🚿)巴(bā )西电影界的(👮)伯格曼，〈空洞的夜〉（1964）〈燃烧的躯体〉(⏯)（1966）和〈好色之徒〉（1968）是他的人性三部曲，在他的影片中充满着存在主义的疑问(wè(🗾)n )、角色复杂内(🐃)心(💦)的独白和现代主义的电(🚎)影语言。因(yīn )体型(🐩)问题而内心自卑的胖女孩闫丹（徐璐饰）(⏫)在人生的低谷期遇到了演员关晓康（魏大勋饰(🤘)），热心的晓康收留闫丹在自己的烘焙店打工，可惜(😽)店里生意惨淡甚至还面临着(zhe )关门的(de )风险。为了(🥁)(le )守住这份的坚持，他们共同努(nǔ )力、应对困难。在晓康的帮助下(xià )，闫丹也重(🔨)拾自信开始减肥。减肥(🚀)几乎是所有女生的(de )共同话题，可人生的减法又何止(zhǐ )这一种？(🚬)别看李雯雯小小的一只，光她刚刚看到的速(🎪)度，确实(👒)不能(néng )小觑。陈满树先是(⌛)愣住，和大丫对视一眼后(hòu )点头道，可。