主演：母其弥雅 丹尼尔·弗恩 阿德尔法·卡尔沃 鲁珀特·伊文斯 Michel Bardinet 丹尼尔·德·奥利维拉
导演：莱丝莉·琳卡·格拉特
类型：悬疑,动作,恐怖 地区：泰国 年份：2015
简介：电话那头，傅城(🚁)予忽然顿了顿，道：您这是在哪儿呢？声音还挺立(lì )体的——我她看着他，却仿佛仍是不知道该说什么，顿了许久，终于说出几个字，我没有容隽！乔唯一同样抵着门，只是看着他，你别(bié )忘了(👊)你自己说过的话(huà )！This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.影片讲述一对父女，在太空中生存斗争的(🤷)故事。身(📘)为罪(🤐)犯的(🎺)男主人公，他的精子被用去制造生命，最终违背意愿地当了父亲。在一(🔗)次次的行动中(🌊)，最终(🆘)只剩下了他和女儿存(🔷)活。他第一次感受到了爱的力量(liàng )。孤独的二人也将更接(🤷)近他们的目的地——(📀)时间与空间都不(🌛)复存在的黑洞。你(⏰)怎么站在大(dà )太阳底下啊，脸都晒红了。张雪(👒)岩皱着眉看(💾)他(tā )，掏出一块手帕(pà )递(dì )给宋垣，给你擦擦(cā )。一次大战前，青年中尉萨卡纳对平庸(🎹)的(de )生活感到(dào )厌倦，他离开故土，到阿尔(ěr )及利亚的(🤴)一个道(dào )德观狭隘的小镇驻防。在(zài )那儿，他赢得了指挥官之女玛德莱纳的芳心，他想尽一切办法与他接近，可其结果是他被调往深(🖊)远的沙漠腹地。在次，他结识(🥘)了上流社(shè )会女人路易斯，并为她所(suǒ )倾倒。几年后，萨(sà )卡纳回国(🎌)参战(zhàn )，又与路易斯相遇，并陷入情网。萨卡纳的骁勇善战，加之他的生活经(jīng )历(🌚)，使他(tā )成为人们心目中的强者。这一来是自己堵心，二来这(🌌)张家也不会欢迎啊！姐姐(📭)，你不用和我解释的！真的！张春桃当下就说道(dào )。