主演：克莱尔·鲍温 林芮西 本·威尔邦德 希志爱野 弗朗辛·约克 丹妮拉·纳尔迪尼 韩云珍
导演：迈克尔·洛基宁
类型：悬疑,科幻,恐怖 地区：日本 年份：2021
简介：苏(sū )凉咬着唇不肯轻易张口，颈脖都出了层薄薄的汗，好不容易才憋出几个字：你个大骗(🍥)子装醉欺负人。蒋慕沉骂了声，垂眸看了(📴)眼宋嘉(🦇)兮之后，便(🧖)直接起身离开了教(jiāo )室。拉(🏓)贾。塔库尔谋杀了法官的家庭，法官的儿子知(zhī )道真相后使用任何手段而计划复仇 拉贾(🧔)。塔库尔这(zhè )个犯罪(zuì )分子。齐霖作为秘书，也跟着上了车。他余光打量他的(👣)脸色(🍌)，小心(xīn )翼翼地问出来：沈总，我们该怎么办？沈(💬)、沈景(jǐng )明清楚地知道沈氏集团的赢利点(diǎn )在哪里。《罪恶》Ivan Passer's "Law and Disorder" is a gentle, touching, sometimes disruptively funny movie about—among other things — ignorance, prejudice, rape, larceny, the failure of small dreams, about people trying desperately to cope and often coming apart. It stars Carroll O'Connor as a taxicab driver and Ernest Borgnine as an ex-Marine, who is a hairdresser with a passion for guns. They are the nucleus of a small group of outraged tenants of a housing project called Co-op Village, set on the Lower East Side of a New York City that bears some superficial resemblance to the setting of the inexecrable "Death Wish." "Law and Disorder," is the second American film by Mr. Passer (his first was "Born to Win") whose "Intimate Lighting" is regarded as one of the major achievements of the brief, mysterious renaissance of Czechoslovak films in the nineteen-sixties. Willie (Mr. O'Connor) and Cy (Mr. Borgnine) and their friends are threatened as much by the onset of barren middle age as they are by the collapse of civil order. Thus, when they form a police auxiliary unit to protect their neighborhood, they are as invigorated by the opportunity to wear uniforms as they are by the opportunity to bring peace to the community. Perhaps more so. The uniforms define purpose. They recall a more innocent time, say World War II, when there was never any question as to who was right and who was wrong. The ultimate failure of Willie, Cy and the others is less a comment on their inadequacies, often hilariously detailed, than on the overwhelming complexity of the urban problems they face. It's this awareness on the part of Mr. Passer, as well as on the part of William Richert and Kenneth Harris Fishman, who collaborated with the director on the script, that separates "Law and Disorder" from exploitation junk like "Death Wish." It also dictates the mood of a film that slides between farce and melodrama, between high good humor and enervating despair. Some of Mr. Passer's characters, like Willie, continue to try to improve things. Willie dreams of a new career. He wants to sell his taxi medallion and buy a lunch counter, much to his wife's horror. Says Willie in desperation: "I ain't a failure, Sally, I just ain't on time." Cy, the hairdresser, is a hunter. He keeps an entire stuffed deer in the bedroom and has a piranha fish in a tank in the living room. He doesn't hunt people, however, and he hasn't quite arrived at the point occupied by most of the other citizens of the city whose motto, repeatedly expressed, is an obscene two-word imperative.他只觉得自己就像是在(💽)做梦，或者经历了什么玄幻事件。孟行(🧜)悠躺下(xià )后(💢)，跟做贼似的平复(🗺)了两下呼吸，侧(cè )过头瞟他一(yī )眼，见迟砚并没有(yǒu )醒，暗自松了一口气。谁告诉你的？容清姿再开(💯)口时，声音又急又厉，还隐隐带(dài )着颤栗，谁告诉你的？