主演：金铁峰 克洛德·法拉尔多 Winnie Lightner 潘越云 多萝塔·帕皮斯
导演：弗朗西斯·福特·科波拉
类型：动作,言情,谍战 地区：国产 年份：2014
简介：露西婶婶（伊(yī )梅(méi )尔达·斯汤顿 Imelda Staunton 配音）的生日即将到来，帕丁顿（本·威(wēi )士肖 Ben Whishaw 配(🏛)音）决定送(sòng )婶婶一份会让她终生难忘的(de )礼物。最终，帕丁顿选中了一本(🏻)立(lì )体绘本，然而这绘本是世间仅(jǐn )此一份的珍贵宝物，为了存钱购买绘本，帕丁(⏹)顿决定开(kā(✊)i )始(👸)工作，在遭遇了一连串的失败(bài )后(👭)，帕丁顿终于找到了适合他的工作——清洁玻璃窗。自闭女孩陆小荷与一只(🕎)受(shòu )伤(🏍)的(💂)天鹅产(😛)生了深厚的情谊。在(🌆)小荷照(🕶)料(liào )下天鹅慢慢康复，小荷也因此而渐渐开朗(🥨)。天鹅被人拐走，小(xiǎo )荷与父亲开始了“寻鹅(🏂)”旅程。本片作为(🥔)曾经以《海上圣火》获得电视“飞天奖”优秀摄影的孔笙的导演处(chù(🦊) )女作，以简单的故(🍙)(gù )事探讨自(🥒)然、动物、人的和谐关(guān )系，在平淡中见真善美，哪能可贵地摆脱了导演处女作“假、大、空、做(👾)作”的窠臼。小女孩与天鹅，引发美好想象(🏜)，而寻天鹅更是一场追求精神解(⬛)(jiě )脱的自由之旅。开朗热情的美(měi )国青年裘德（亚当(dāng )·德赖弗 Adam Driver 饰）邂逅了热情奔放的意大利女孩米娜（(🍾)阿尔芭·洛瓦赫 Alba Rohrwacher 饰），趣味相投的两人很(🧔)快就走到了一起，火速成婚并且(qiě )有(📅)了爱(ài )情的结晶。新婚的生活总是充满了幸福和快乐(🏊)，孩子的到来亦让两个年轻人对未来充满了希(xī(🏖) )望。 可是(🎥)，随着米...顾长生正在做亏心事，吓得手抖，电话直接掉桌面上。宋里长这个时候硬着头皮说道：秀(👫)娥(é )啊，我(wǒ )知道你的心中有气，但是他怎么说也是你爷爷，你(nǐ )奶奶他们要是的(de )确没啥能(néng )力葬人你就张秀娥却抢先一步说话了：我就是看在你是我奶的份上(⏩)，不想让你这么大年纪操心上火的，不然我现在就(jiù )到镇(🥒)子上(shàng )去给我娘(💆)击鼓鸣冤了，就说那张宝根想要害(hài )我娘一尸两命！他只能愤愤的想着，都怪张秀娥，自家主子何时吃过这样的苦？受过这(zhè )样的委屈？片刻之后，庄(zhuāng )依波终(👂)于缓缓睁开眼睛(💹)，看向了申望(🕢)津手中的电话。Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.