主演：米尔黑·考塔兹 维克托·基利恩 童爱玲 大卫·格林德利 Roy Bittan
导演：奇道
类型：动作,悬疑,谍战 地区：韩国 年份：2013
简介：At one and the same moment, at different places in the world, three people find themselves in limbo. In his mysterious film debut, photographer John Clang edited details from the lives of these three characters aside and after each other, resulting in a continuous narrative in stunning black-and-white about the desire for human contact.对，她是孩子的妈，可是跟你没什么(me )关系，对吧？慕浅说，既然你已经把离婚这条路(lù(🍵) )摆在她面前了，就真的没有必要(yào )做太多事情了。可你(nǐ )知道你现在做的事情是什么吗？你(nǐ )名义上是关心孩子，可是你的(🍼)孩子还在她的(de )肚子里，所以你关心的其实是(shì )她。我忘了，告诉小(🍯)明，让他把这群丧尸弄走。猎豹(bào )能(🌶)在短短三秒之内从静止加速(🚯)到(dào )每小时一百公里。这样的(de )速(sù )度足以(yǐ )赶超你的家用轿车。海豚(🐢)有多聪明呢？它是除人(🌑)类以外，地球上脑重与体重比(👎)例最大的动物，是猿(yuán )类的(de )两(liǎng )倍(bèi )。现在，让我们来破除各种臆测，探(🚆)讨究竟是什么让每一种(😤)动物如此与众不同。欢迎(🍐)(yíng )走进迷人的动物世界。以丧(🏼)尸末日之后(🍔)为题材，穿插於三段看似不(bú )相(xiàng )关，但又(🐐)有些少微妙关係故事的电影《Edges of Darkness》，就是一(yī(🌿) )套熔合吸血鬼与丧尸这两种以往很(hěn )少作为主要卖点(diǎ(🐑)n )的恐怖血腥电影。而其中一个故事就是讲述一对吸血鬼情侣，怎样在满佈丧尸及日渐缺少食物来源〔(🅰)即人类〕的环境中求存。此片虽然看(kàn )似(🤔)(sì )低成本制(🎶)作，但其题材算是有趣(🍫)。通勤客で混み合う車内、名うてのハコ師と謳われたスリの海藤（原(🙊)田(tián )芳雄(xióng )）は、痴(🦅)漢の(😁)懐に目を注(zhù )いでいた。痴漢(hàn )されている女は海藤の同居人のレイ（真野きりな）。海藤は(🏀)レイを囮にして、カモを狙っていた。その時「やれよ、見逃してやるから」初老の刑事の矢尾板（石橋蓮司）が蔑みの声でささやいた。震える指先を新聞(🕥)で覆い隠す(🍯)海藤に「稼がなきゃ困るんだろう」刑事の言葉(🍺)が鋭く突き刺さる。いつの頃からだろう、スリの名人海藤を猟犬のように、執念深く追い掛け続けてきた刑事の矢尾板･･･しかし、かつての宿敵海藤はアル中のスリに成り果て(📕)ていた･･･。只能担心的看着，眼睛已经变得微红(🤛)的人，心里有(yǒu )种感(🍉)觉，她现在似乎陷入某种(🐿)困境，如果再不(📡)把她叫(⛺)醒，会有危险。The Ivory-Merchant duo are known for their luxurious-looking films, the camera often caressing each fish-fork with the same love it displays for the protagonist. It's somewhat refreshing here to see Merchant without Ivory. Merchant's camera displays the same love for detail that the Ivory-Merchant duo's does, except that it is much grittier, caressing the protagonist's vomit with the same attention that it bestows upon his exquisite Jamewaar shawl. I refer to Shashi Kapoor as the protagonist, because he steals the role away from Om Puri. Om Puri plays the timid Deven, a college professor bent on interviewing his idol, the formerly grand but now-alcoholic Urdu poet, Nur. Shashi Kapoor is perfect as the obese, alcoholic, henpecked, decaying poet because his own appearance encapsulates this decay. Those who do not recognize him as the hero in scores of Bollywood films or in many early Ivory-Merchant productions will miss the subtlety of this cinematic reference, because Kapoor's own physical decay perfectly encapsulates the theme of decay that is central to the film. Shabana Azmi is as competent as ever, bringing a hint of feminism to her character's plagiarism of her husband's work, as well as highlighting the inherently masculinist nature of the poetry that confines a woman's role to the object of desire and nothing else.《金鸡啼晓》为第37届中国电(diàn )影(😤)(yǐ(👚)ng )金鸡奖提名者访谈节目，该节目将打破传统电影访谈(tán )节目的刻板性，从大(⏪)众的视角深入的探访，带领观(📰)众走进电影的内(nèi )心世界。