导演：里卡尔多·里韦列斯
类型：悬疑,科幻,谍战 地区：大陆 年份：2014
简介：戴桓是一名出色的心脏外科医生但因(💘)一场医疗事(shì )故他常常陷入梦魇(yǎn )为了散心他们一家人来到澳大利亚度假但却出乎意料的被(bèi )卷(🧖)入一场致命的游戏中他必须杀(😍)掉素未谋面的陌生人否则他的至亲将(🎰)永远离他而去本该救人的医生面对陌生人和亲(qīn )人只能活(🎪)一个的选项他该如何选择容隽勉强(qiáng )接过来，眉头紧皱地开始翻看，看着看着，眉头(tóu )便不自觉地松开来，随(🎦)后脸(liǎn )色也开始(🏧)缓和，看到最后(🤲)，便连眉(méi )梢眼角都染了笑意。电影蜷(🦆)伏讲的(de )是一(🔶)群男女为(wéi )了生活，在城市的边缘生活。并且潜(🔂)入没(méi )有人居住的家里，居住一段时间，为(🍺)了逃避现实的残酷，他们吸毒，盗(dào )窃。他们是(shì )城市最边(🗒)缘(yuán )的群体，过着最边缘的生活。1941, Lt. Ogleby (Ian Carmichael) is the cheerfully inept officer in charge of a searchlight battery codenamed ‘Lionheart’ stationed at a requisitioned cricket ground. His detail is led by officious ‘Thommo’ Tomlinson (Victor Maddern) who tries his best to keep his troops attention on the aircraft-spotting task in hand. He’s joined bymusic-hall cabaret act the McGaffey Brothers; light-fingered Syd McGaffey (Benny Hill) and his brother Eric (Tommy Steele) who gets married then hears his mistress is pregnant. Lovesick ‘Smithy’ Smith (Johnny Briggs) mopes about the station all day daydreaming about his girlfriend until eventually going AWOL to Sheffield. Cockney Roland Kenyon (Harry Locke) appears more interested in cooking for the Catering Corps in a big white hat than shooting down German aircraft. The unit’s father figure is Ted Green (Sydney Tafler), who is mourning the loss of his son in action.现在的情况，无论怎么看，对那个(🏘)背影来说，都不是一件好事。路小(xiǎo )星（杨幂(🐩) 饰）是一位初出茅(máo )庐(lú )的见习女警，她的弟(🔭)弟死于一场意外，而(⛑)作为见证人的路小星则双目失明。尽(🥥)管失去了(le )视觉，但路(⛱)小星的其他(tā )感官却(què )因此而意外的活(🥀)跃起(qǐ )来，即便生活在黑暗之(zhī )中，路小星却依旧能够敏感的感受到周遭的一举一动。张(♏)老师噎了噎，有些无奈：但你也不能这么无法(fǎ )无天！在看见绿点不动，又开心，这或(🚱)许(💠)真的是一片绿洲，能够给他(tā )的队伍带来希望(🦎)。This cinematic artwork addresses the decline and eventual dismissal of the chorus of ancient Greece from epic drama. Figured as a marginalized representative of 'the people' the film proposes a contemporary wandering chorus that engages the populous through "Star Wars Episode 3: Revenge of the Sith". Taking aim at the rhythmic efficiency of a corporate Hollywood franchise this cinematic recut tests the possible agency of the collective voice. Through choral banter, song and dance, the character replies to the sophomoric philosophy of the film, asking whether the loss of a plural subject correlates to the decline of traditional democratic ideals in popular forms of narrative storytelling.