主演：石冢运升 亚当·迪康 查宁·塔图姆 Tina Krause 玛琳·辛科 马洛可·伯尼尼 瑞恩·罗特曼
导演：佛朗哥·泽菲雷里
类型：科幻,恐怖,动作 地区：国产 年份：2014
简介：1933年(nián )，进(🌯)入松竹莆田摄影所担任助理导演(yǎn )；1937年，执导了处女作《女儿(🙃)》，由此受到关(guān )注；1943年，被征召入伍，到中国随军拍摄纪录片；1947年，与龟井文夫、今井正(💸)合作，拍摄了剧情片《战争与和(hé )平》；1952年，执导了剧情片《真(zhēn )空地带》，影片入选日本名片200部；(📙) 1955年初，创建了山本独立(👘)制片公司；1959年，拍摄(🏓)了剧情片《板(bǎn )车之歌》，该片(piàn )被选入(rù )日本名片200部，并获1959年日本(běn )《电影旬报》十佳作品奖(⚽)第四名； 1963年10月，随日本(📰)电影代表团访问中国；1965年，执导的剧情(qíng )片(piàn )《...作为集中营对双胞(♒)胎进行实验的结果，两个无辜的女孩被杀害(hài )了，保留的器官被(🥦)存(〰)储在大学。它是女(📁)孩的鬼魂，现在困扰着学校(🚃)建设……Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format.申望津仍旧坐在那里，不紧不慢地喝完那杯茶，这才(⏩)慢悠悠地起身，走向了庄依波所在的房间。大门口被人挤得满满当当，但她们还(hái )是看到了站在门口的人。心里先就咯噔一声。他说着便往(wǎng )吧台那边(🍎)凑，容恒一把拉住他，看他一眼，大半夜的有什么好喝的？明天不上班了你？张秀娥的头发现在也柔顺了许多，虽然不能用(yòng )飘逸来形容，但是总归不是之前那干枯的乱草了，只是有(🍆)一些发黄发糟。婉生含笑应了，再(🔏)次道(dào )谢，含笑看着张采萱两人(rén )回(🈵)家。庄依(yī )波耳根(📹)蓦地被他的呼(hū )吸(xī )染上了热度，又抬眸(móu )与他对视了一眼，不由自主地就软了(🍗)身子。