主演：威廉姆·菲利 Jan-Olof Strandberg 索朗尼玛 邢少梅 弗雷德里科·瓦斯奎斯 Max Alvarado
导演：郑河琳
类型：言情,谍战,古装 地区：大陆 年份：2017
简介：16世纪末4月(yuè )的(♿)一天，暴雨浸淫下的京(jīng )都，某座并不起眼的宅邸内，一代名流的人生正走向尽头。房屋(💤)的主人乃是举世尊奉的茶道宗师千(🆖)利休（市川海老藏 饰(🍢)），遥想当年，他在战国乱世(shì )得到了织田信长（伊(yī )势谷友介 饰）的赏识，并曾(céng )以其影响(xiǎng )力救助了命悬一线(xiàn )的羽柴秀吉（大森南(💐)朋 饰）。英雄霸业烟消云散，秀吉成(🤦)为新一代枭雄，却渐渐不满(mǎn )利休那种对美毫不妥协的追(🍰)求以及对强(🤔)权的漠然蔑视。本不该有交集的二(🐑)人，裂痕愈来愈大，这似乎也注定(🥣)了利休的悲剧(jù )。飞机航线从s市(shì )飞往(wǎng )机场，四个人兴致勃勃，摩拳擦掌准(🦌)备大干一场。17岁的扎克刚刚出狱。被母亲遗弃的(de )他在马赛鱼龙混杂的街区闲逛，后来，他遇到了少女山鲁佐德……(😛)抱琴(qín )也不失望，笑着道：以后你(🤘)就知道了。不过很显然，某个以貌取(qǔ )人的家伙(📝)，根本就不领情。Richard Sarafian is a decidedly underrated director. After finally seeing this, it's satisfying to report his VANISHING POINT was not a flash-in-the-pan. FRAGMENT...does not move at the same pace, nor does it get the viewer involved quite as quickly, but once you're about twenty minutes in, you're hooked until the end as Sarafian and screenwriter Dehn continually manipulate reality and our perceptions of it, along with lead character David Hemmings' perceptions of it. Really brilliant in the way it portrays a matter-of-fact unfolding of events that seem like a conventional, yet still insidious conspired-murder-by-blackmail-ring plot. But then we're constantly shown by the dialogue and actions of other characters that these events we've just witnessed may never have occurred. As an audience, we're constantly being shifted back and forth, momentarily convinced that recovering-addict-turned-successful-writer Hemmings is undergoing paranoid delusions, then the next moment convinced there really is a vast conspiracy against him and his investigation into his rich aunt's death. Disturbing and constantly involving, sucking the viewer in until the shocking conclusion. Unfortunately, the film's one real liability, which may in fact be the reason for some viewers' antipathy toward this film, is its totally inappropriate music score. Not only is the score mixed too loud on the soundtrack, it repeatedly draws attention to itself, often diffusing the effects Sarafian is trying to achieve. If only they had gotten someone like John Dankworth who could have composed a similar jazzy score but much more subtly and in keeping with the film's rhythms. Of course, even better would have been Ennio Morricone, someone who had already scored many Italian giallo thrillers that had attempted to play with reality in a similar way. Whomever hired Johnny Harris made a big mistake. His score is the one thing that keeps this from being a genuine little masterpiece.她的爸爸(bà )妈妈是什么样(🤾)的人，她实在是再清楚不过了。八十(🗡)年代尾后的，新(📡)一代很早就洞(🍿)悉，世界不会因为人们的(de )一举一动变得更美，无聊才是(🍅)人生真(zhēn )义。大概，这就是一种都市的无聊学。无聊学的生活特色是一切可(kě )有可无、心绪怀旧、游走不定、物(🕢)质需(xū )要但非必要……这一切(qiē )都在“无聊电影”代表人(rén )物山下(xià(🏎) )敦弘的作品中可以找到。反(🕳)常规的人物，反常规的拍摄方法，使其(⚾)作品成为当今日本最前(qián )卫、最独特的风景。《赖(🕗)皮生活》是(📊)其首部长片(🏵)作品，曾于(🛫)多个国际电影节上映（包括二零零零(líng )年鹿特(tè )丹国际电影节），并大(💔)获好评。两(🍊)名主角(jiǎo )就只躲在小(🚂)室不停地以看色情影带为生，片中还有一对男女不断自拍色情录(lù )像，自封为艺术家……第二件事，他们那晚上开黑后，叫了几个(🦑)女主播去乱搞。